Utilisateur:Xic667/Brouillons

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Sommaire 1 counterculture 2 Brian Gibson (musicien) 2.1 Brian Chippendale 2.2 Microphone 2.3 Effects 3 Comics 4 Other projects 5 References

[modifier] counterculture

Au Modèle:XIXe siécle les milieux de contre-culture européens incluaient le romantisme, la bohème et le dandysme. Un mouvement plus fragmentaire a été, aussi bien en Eurpoe qu'aux États-Unis, le mouvement Beatnik (ou Beat Generation) au milieu des années 1950. Countercultural milieux in 19th century Europe included the traditions of Romanticism, Bohemianism and of the Dandy. Another movement existed in a more fragmentary form in the 1950s, both in Europe and the US, in the form of the Beat generation/Beatniks.

The term 'counterculture' came to prominence in the news media as it was used to refer to the social revolution that swept North America, Western Europe, Australia and New Zealand during the 1960s and early 1970s.

[modifier] Brian Gibson (musicien)

In the Peter Glantz and Nick Noe film The Power of Salad, revolving around Lightning Bolt's live performances across America, Gibson confesses "I feel like it's taken me years and years to develop this insane setup that I have ... if somebody got my guitar set ... they're just gonna be good: whatever you do sounds good through it. You know, just plucking the strings." ^[1]

[modifier] Brian Chippendale

[modifier] Microphone

En tant que chanteur de Lightning Bolt et Mindflayer, Chippendale As a vocalist for Lightning Bolt and Mindflayer, Chippendale eschews the usual microphone stand and conventional microphone, instead using the type of microphone built into a household telephone receiver, held in his mouth or attached to a hood.^[2] This microphone is then run through an effects processor to alter the sound further. Chippendale often warbles or makes nonsensical sounds into the microphone, so the vocals typically come out extremely distorted and almost incomprehensible. More recently, Chippendale has used a Line 6 delay pedal to delay and repeat his vocals while drumming. ^[3]

[modifier] Effects

• Line 6 DL-4 Delay Modeler
• Boss SD-1 Overdrive pedal
• Morley Wah pedal
• Boss OC-3 Super Octave Pedal
• Death by Audio Interstellar Overdriver Pedal – used to add noise to drums
• BIAS Coron DS-7 Drum Synth – a simple drum-synth module attached to bass drum

[modifier] Comics

Aside from music, Chippendale is also a prolific comic-book artist. He's created the album art for all four Lightning Bolt releases, and draws a number of other, usually one-shot comics. Chippendale's drawing style, like his drumming, is very busy and full of small, perhaps unnecessary details. Chippendale's style has been described as "almost a little too enthusiastic". The same reviewer continues: "The manic detail and cross-hatching on every page, the Winsor McCay level of ambition in creating a beautiful page layout -- it's all a little hard to process." ^[4]

In October 2006, Chippendale released his long-awaited Ninja comic book, an epic 80-page graphic novel five years in the making. [1]

Chippendale has also done the album art for all of Lightning Bolt's studio albums.^[5]

[modifier] Other projects

In 2003 Brian played on at least one occasion with Sonic Youth guitarist Thurston Moore under the label Nuntronix,^[6] which seems to be a catch-all moniker for Moore's free improvisation collaborations.

Brian participated as drummer 77 in the Boredoms 77 Boadrum performance which occurred on July 7th, 2007 at the Empire-Fulton Ferry State Park in Brooklyn, New York.

[modifier] References