Utilisateur:Agou/Cheers

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Cheers Cette série se déroule dans le bar éponyme Cheers (qui signifie en anglais "A la vôtre!"), à Boston aux Etats-Unis. Dans ce bar se croisent connaissances et piliers de comptoir, des amitiés se nouent autour d'un verre, constituant au fil de la série une bande de comparses. Le refrain du générique dit que c'est un bar "where everybody knows your name", où tout le monde sait comment tu t'appelles. La musique de Cheers est écrite et jouée par Gary Portnoy.

Le premier épisode a été diffusé le 30 septembre 1982 ; la série ne décolle pas pendant la première saison et faillit être annulée. Mais finalement, au cours des onze saisons de son existence, Cheers ne cessa d'emporter du succès et devint la plupart du temps dans le top 10 des séries les plus regardées aux Etats-Unis. Preuve de son succès, critique (elle emporta 26 Emmy Awards pour 117 nominations)

Sommaire 1 Casting 1.1 Guest stars 2 Production 3 Crew

[modifier] Casting

Le personnage de Sam Malone devait être à l'origine un ancien joueur de football américain, mais après avoir choisi Ted Danson pour l'interpréter, il fut décidé qu'il serait un ancien des Red Sox de Boston

The character of Cliff Clavin was created for John Ratzenberger after he auditioned for Cheers. While chatting with producers afterwards, he asked if they were going to include a "bar know-it-all", the part which he eventually played. Kirstie Alley joined the cast when Shelley Long left, and Woody Harrelson joined when Nicholas Colasanto died. Danson, George Wendt, and Rhea Perlman were the only actors to appear in every episode of the series. Paul Willson, who played the recurring barfly character of "Paul", made early appearances in the first season as "Glen", was credited as "Gregg", and also appeared in the show as a character named "Tom".

[modifier] Guest stars

Although Cheers operated largely around that main ensemble cast, guest stars did occasionally supplement them. Notable repeat guests included Jay Thomas as Eddie LeBec, Dan Hedaya as Nick Tortelli, Jean Kasem as Loretta Tortelli, Roger Rees as Robin Colcord, Tom Skerritt as Evan Drake, and Harry Anderson as Harry the Hat. Other celebrities guest starred in single episodes as themselves throughout the series. Some sports figures appeared on the show as former teammates of Sam's from the Red Sox such as Luis Tiant and Wade Boggs, while others appeared with no connection to Cheers such as Kevin McHale or Mike Ditka. Some television stars also made guest appearances such as Johnny Gilbert, Alex Trebek, Arsenio Hall, and Johnny Carson. Some political figures even made appearances on Cheers such as then-Chairman of the Joint Chiefs of Staff Admiral William J. Crowe, former Colorado Senator Gary Hart, then-Speaker of the House Tip O'Neill, Senator John Kerry, then-Governor Michael Dukakis, and then-Mayor of Boston Raymond Flynn (the last four of which all represented Cheers' home state and city). Musician Harry Connick, Jr. appeared in an episode as Woody's cousin[10] and plays a song from his Grammy winning album We Are in Love (c. 1991). John Cleese won an Emmy for his guest appearance as "Dr. Simon Finch-Royce" in a fifth season episode "Simon Says".[5] [edit]

[modifier] Production

Le concept original de Cheers tourne autour de l'idée de réunir une bande d'individus, qui se réunissent comme une petite famille, à l'image de Fawlty towers, une série britannique, centré dans un lieu unique, un hôtel ou un bistro. Lorsque les créateurs fixèrent leur choix sur un bar, l'idée leur plut, car un bar permet l'arrivée continuelle de nouvelles têtes, permettant un renouvellement du casting si nécessaire.

Le choix du lieu est d'une importance. On pensa d'abord à Barstow en Californie, puis à Kansas City. C'est finalement devenu un bar de la Côte Est américaine, à Boston. Glen Charles put filmer l'intérieur et l'extérieur du bar au prix d'un dollar auprès du propriétaire. Dix ans plus tard, le bar est le 42ème établissement le plus visité aux Etats-Unis, et l'heureux propriétairefi fortune en monnayant la licence du pub. Les épisodes de Cheers sont tournés en intérieur aux studios Paramount, généralement le jeudi soir. Les scripts des nouveaux épisodes étaient tapés le mercredi, relus, Friday was rehearsal day, et la version finale était prête le lundi. Chaque épisode mobilisait environ une centaine de personnes.

[modifier] Crew

The crew of Cheers numbered in the hundreds; as such, this section can only provide a brief summary of the many crewmembers for the show. The three creators - James Burrows, Glen Charles, and Les Charles - stayed on throughout the series as executive producers.[11] In fact, the two Charles brothers kept offices on Paramount's lot for the duration of Cheers run. In the final seasons, however, they handed over much of the show to Burrows. Burrows is regarded as being a factor in the show's longevity, directing 243 of the episodes and supervising the show's production.[4] David Angell was also a part of the crew from the start, writing many Cheers episodes. The show was often noted for its writing[12][4] which most credit along with other production factors and the ensemble cast for the show's success. [edit]

Awards

Over its eleven-season run, Cheers and its cast and crew earned many awards. Most notably, Cheers earned 117 Emmy nominations, edging out ER (115 as of 2005) for the most Emmy nominations for a single series.[13] These nominations resulted in a total of 26 Emmy wins. In addition, Cheers has earned 31 Golden Globe nominations with a total of 6 wins. All ten of the actors who were regulars on the series received Emmy nominations for their roles. Cheers won the Golden Globe for "Best TV-Series - Comedy/Musical" in 1991 and the Emmy for "Outstanding Comedy Series" in 1983, 1984, 1989 and 1991. Cheers was presented with the "Legend Award" at the 2006 TV Land Awards, with many surviving cast members attending the event.[14]

The following table summarizes awards won by the Cheers cast and crew.[5] Winner Award Kirstie Alley Emmy, Outstanding Lead Actress in a Comedy Series (1991) Golden Globe, Best Performance by an Actress in a TV-Series - Comedy/Musical (1991) Ted Danson Emmy, Outstanding Lead Actor in a Comedy Series (1990, 1993) Golden Globe, Best Performance by an Actor in a TV-Series - Comedy/Musical (1990, 1991) Woody Harrelson Emmy, Outstanding Supporting Actor in a Comedy Series (1989) Shelley Long Emmy, Outstanding Lead Actress in a Comedy Series (1983) Golden Globe, Best Performance by an Actress in a TV-Series - Comedy/Musical (1985) Golden Globe, Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for TV (1983) Bebe Neuwirth Emmy, Outstanding Supporting Actress in a Comedy Series (1990, 1993) Rhea Perlman Emmy, Outstanding Supporting Actress in a Comedy Series (1984, 1985, 1986, 1989) Production Awards Emmy, Outstanding Directing in a Comedy Series (1983, 1991) Emmy, Outstanding Writing in a Comedy Series (1983, 1984) Emmy, Outstanding Individual Achievement in Graphic Design and Title Sequences (1983) Emmy, Outstanding Film Editing for a Series (1984) Emmy, Outstanding Editing for a Series - Multi-Camera Production (1988, 1993) Emmy, Outstanding Live and Tape Sound Mixing and Sound Effects for a Series (1985) Emmy, Outstanding Sound Mixing for a Comedy Series or a Special (1986, 1987, 1990) [edit]

Plot

   For the full list of episodes, see List of Cheers episodes

Nearly all of Cheers took place in the front room of the bar, only occasionally stepping into the rear pool room or Sam's office. In fact, Cheers didn't show any action outside the bar until later into the series. Cheers had some running gags, such as Norm arriving in the bar greeted by a loud "Norm!" Early episodes generally followed Sam's antics with his various women, following a variety of romantic comedy clichés to get out of whatever relationship troubles he was in that particular episode. As the show progressed and Sam got into more serious relationships the general tone switched to comedy on Sam settling down into a more monogamous lifestyle. Throughout the series, larger story arcs began to develop that spanned multiple episodes or seasons interspersed with smaller themes and one-off episodes. [edit]

Romance Sam and Diane kiss Enlarge Sam and Diane kiss

The show's main theme in its early seasons was the romance between the intellectual waitress Diane Chambers and the ex-baseball pitcher, recovering alcoholic, bar owner Sam Malone.[15] In later episodes the focus shifted to Sam's new relationship with neurotic corporate climber Rebecca. Both romances became important continuing story lines, with relationship growth and change. The story arc began with mutual detestation but sexual attraction to dating and love, and back to detestation. Both relationships featured multi-episode "will they or won't they" sexual tension that drew viewers in. While a common theme in old romantic comedies, such continuing romantic story lines were largely absent from television until Cheers. After Sam and Diane's courtship was consummated, the show's popularity grew greatly and subsequent TV shows now very commonly have such "will they or won't they" tensions between opposites. [16] [edit]

Social issues

Many Cheers scripts centered around or were improved with a variety of social issues. As Toasting Cheers puts it:[4]

Cheers The script was further strengthened by the writers' boldness in successfully tackling controversial issues such as alcoholism, homosexuality, and adultery.

Cheers

Social class was a subtext of the show. The "upper class" - represented by characters like Diane Chambers, Frasier Crane, Lilith Sternin and (initially) Rebecca Howe - rubbed shoulders with middle and working class characters - Sam Malone, Carla Tortelli, Norm Peterson and Cliff Clavin. An extreme example of this was the relationship between Woody Boyd and millionaire's daughter Kelly Gaines. Many viewers enjoyed Cheers in part because of this focus on character development in addition to plot development.[12][4]

Feminism and the role of women were also recurring themes throughout the show, with some seeing each of the major female characters as a flawed feminist in her own way.[17] Diane was a very vocal feminist, but Sam was the epitome of everything she hated: a womanizer and a male chauvinist. Their relationship led Diane to several diatribes on Sam's promiscuity, while Carla merely insulted people.[4] Carla was respected because of her power, while Diane was ignored as she commanded little respect. Finally, Rebecca was a stereotypical ambitious and golddigging woman, seeking relationships with her superiors at the Lillian Corporation, most notably, Robin Colcord, to gain promotions or raises. However, she encountered a glass ceiling and ended the show by marrying a plumber rather than one of the rich businessmen she originally flirted with.

Homosexuality was dealt with from the very first season, a rare move for American network television in the early 1980s. In the first season episode "The Boys In The Bar" (after the 1970s film The Boys in the Band) a college friend and teammate of Sam's comes out in his autobiography. Some of the male regulars pressure Sam to take action to ensure that Cheers does not became a gay bar. The episode won a GLAAD Media Award,[8] and the script's writers, Ken Levine & David Isaacs, were nominated for an Emmy Award for their writing.[5] Harvey Fierstein would later appear in the 1990s as "Mark Newberger", Rebecca's old high school sweetheart who is gay. Finally, the finale episode included a gay man who gets into trouble with his boyfriend after agreeing to pose as Diane's husband.

Addiction also plays a role in Cheers, almost exclusively through Sam, although some critics believed the issue was never really developed.[18] Sam was a recovering alcoholic who ended up buying a bar after his baseball career was ruined by his drinking.[19] Frasier also has a notable bout of drinking in the fourth season episode "The Triangle", although Sam is the primary alcoholic figure on the show. Some critics believe Sam was a generally addictive personality who had largely conquered his alcoholism but was still a sexual addict, shown through his womanizing.[20] Spoiler warning: Plot and/or ending details follow. [edit]

Cheers owners The Cheers sign Enlarge The Cheers sign

Cheers obviously had several owners before Sam, as the bar was opened in 1889 (The "Est. 1895" on the bar's sign is a made-up date chosen by Carla for numerological purposes as revealed in the 8th season episode "The Stork Brings a Crane"). In the second episode, "Sam's Women", Norm tells a customer looking for the owner of Cheers that the man he thought was the owner has been replaced, and his replacement replaced by Sam. The biggest storyline surrounding the ownership of Cheers begins in the fifth season finale, "I Do, Adieu", when Sam and Diane part ways, Shelley Long leaves the regular cast, and Sam leaves to attempt circumnavigating the Earth. Before he leaves, Sam sells Cheers to the fictional Lillian Corporation. Sam returns in the sixth season premiere, "Home is the Sailor", having sunk his boat, to find the bar under the new management of Rebecca Howe. He begs for his job back and is hired by Rebecca as a bartender. Throughout the sixth season, Sam tries a variety of schemes to buy back Cheers. This plot largely comes to an end in the seventh season premiere, "How to Recede in Business", when Rebecca is fired and Sam is promoted to manager. Rebecca earns back a waitress/hostess job from Sam. From there Sam would occasionally attempt to buy the bar back with schemes that usually involved wealthy executive Robin Colcord. Cheers did eventually end up back in Sam's hands in the eighth season finale, when it was sold back to him for eighty-seven cents by the Lillian Corporation after he alerted the company of Colcord's embezzlement. [edit]

Other recurring themes

Aside from the storylines that spanned across the series, Cheers had several themes that followed no storylines but that recurred throughout the series. There was a heated rivalry between Cheers and the rival bar, Olde Towne Tavern, owned by a man named Gary. One episode of every season depicted some wager between Sam and Gary, which resulted in either a sports competition or a battle of wits that devolved into complex practical jokes. Aside from the very first and very last "Bar Wars" episodes, the Cheers gang always lost to Gary's superior ingenuity. Sam also had a long-running feud with the management of the upscale restaurant situated directly above the bar, Melville's. The restaurant's management found the bar's clientele decidely uncouth, while Sam regarded the restaurant as snobbish. This conflict escalated in later seasons, when Melville's came under the ownership of John Allen Hill (Keene Curtis), and it emerged that Sam did not technically own the bar's poolroom and bathrooms. Sam subsequently was forced to pay rent for them and often found himself at the mercy of Hill's tyranny.

Norm Peterson continually searched for gainful employment as an accountant but spent most of the series unemployed, thereby explaining his constant presence in Cheers at the same stool. The face of his wife, Vera, was never fully seen onscreen, despite a few fleeting appearances and a couple of vocal cameos. Cliff Clavin seemed unable to shake the constant presence of his mother, Esther Clavin (Frances Sternhagen). Though she did not appear in every episode, he would refer to her quite often, mostly as both an emotional burden and a smothering parent.

Carla Tortelli carried a reputation of being both extremely fertile and matrimonially inept. The last husband she had on the show, Eddie LeBec, was a washed-up ice hockey goaltender who ended up dying in an ice show accident. Carla later discovered that Eddie had cheated on her, marrying another woman after impregnating her. Carla's sleazy first husband, Nick Tortelli, also made frequent appearances, mostly to torment Carla with a new custody battle or legal scam that grew out of their divorce. Carla's eight kids were also notoriously ill-behaved. Spoilers end here. [edit]

Critical reactions

Cheers was critically acclaimed even in its first season, though it landed a disappointing 74th in the ratings that year.[21] This critical support, coupled with early success at the Emmys and the support of the president of NBC's entertainment division Brandon Tartikoff, is thought to be the main reason for the show's survival and eventual success.[22][23] The cast themselves went across the country on various talk shows to try and further promote the series after its first season. When NBC discovered Family Ties and The Cosby Show and placed them both on Thursday night with Cheers' second season, the show's audience expanded (starting what NBC would go on to call "Must See Thursday"). By its final season Cheers had had a run of eight consecutive seasons in the Top Ten of the Nielsen ratings.[4] Critics have a variety of opinions on addiction in Cheers (see above). Some critics now use Frasier and Cheers as a model of a successful spin-off for a character from an already successful series to compare to modern spin-offs, such as Joey from Friends.[24][25]

NBC dedicated a whole night to the final episode of Cheers. The show began with a "pregame" show hosted by Bob Costas, followed by the final 98-minute episode itself. Local news then aired tributes to Cheers, and the night concluded with a special Tonight Show broadcast live from the Bull & Finch Pub. Some critics disliked the finale for the sudden reentry of Shelley Long which they felt was flawed, the odd length of the episode, Leno's monologue, and a seemingly uninterested (and, as they would later sheepishly admit, inebriated) Cheers cast that resorted to spitball fights much to Leno's dismay. [26][4] Although the episode fell short of its hyped ratings predictions to become the most-watched television episode, it was the most watched show that year and ranked 11th all time in entertainment programming. The episode originally aired in the usual Cheers spot of Thursday night and was then rebroadcast on Sunday. Some estimate that while the original broadcast did not outperform the M*A*S*H finale, the combined non-repeating audiences for the Thursday and Sunday showings did. Toasting Cheers also notes that television had greatly changed between the M*A*S*H and Cheers finales, leaving Cheers with a broader array of competition for ratings.[4] [edit]

Spin-offs and crossovers Woody, Cliff, and Norm on The Simpsons Enlarge Woody, Cliff, and Norm on The Simpsons

Some of the actors and actresses from Cheers brought their characters into other television shows, either in a guest appearance or in a new spin-off. The most successful Cheers spin-off was the show Frasier which directly followed Frasier Crane after moving back to Seattle, Washington, where he lived with his family and hosted a call-in radio show. Ironically, Frasier was originally supposed to be a small disliked character who only existed to further Diane and Sam's relationship, but Grammer's acting turned what were supposed to be unfunny lines into comedy the audience enjoyed.[27] Sam, Diane, and Woody all had individual crossover appearances on Frasier where they came to visit Frasier, and his ex-wife Lilith remained a constant supporting character throughout Frasier. Cliff, Norm, Carla, and two of Cheers' regular background barflies Paul and Phil had a crossover together in the Frasier episode "Cheerful Goodbyes". In the episode Frasier, on a trip to Boston, meets the Cheers gang and Cliff thinks Frasier has flown out for his (Cliff's) retirement party, which Frasier ends up attending. Frasier was on the air as long as Cheers, going off the air in 2004 after an eleven-season run. Although Frasier was the most successful spin-off, The Tortellis was the first series to spin-off from Cheers, premiering in 1987. The show featured Carla's husband Nick Tortelli and his wife Loretta, but was cancelled after 13 episodes and drew protests for its stereotypical depictions of Italian Americans.

In addition to direct spin-offs, several Cheers characters had guest appearance crossovers with other shows. In The Simpsons episode "Fear of Flying", Homer stumbles into a Cheers-like bar after being kicked out of Moe's. Most of the central cast appears in the episode, including Frasier, but he is the only character to remain silent despite Grammer being the only common guest star on The Simpsons (he voices the recurring character Sideshow Bob). The tagline for Moe's Tavern "Where nobody knows your name" is also a reference to Cheers. Characters also had crossovers with Wings—which was created by Cheers producers/writers—and St. Elsewhere in a somewhat rare comedy-drama crossover.[28] The Star Trek character Morn, who can always be spotted at Quark's Bar, is named for Norm Peterson.[29]

The Scrubs episode "My Life in Four Cameras" makes numerous jokes about Cheers and multicamera setup laugh track sitcoms. Scrubs is notable for using a single camera setup, no laugh track, and not being filmed before a live audience. Cheers had all three and a dream sequence in "My Life in Four Cameras" was shot with all three also. In addition, the main patient treated was fictional Cheers writer "Charles James", a mixture of Cheers three creators James Burrows, Glen Charles, and Les Charles. The episode makes repeated comments about these "traditional" sitcoms and ends with the opening bars of Cheers theme playing with the quote "Unfortunately, around here things don't always end as neat and tidy as they do in sitcoms."[30][31][32] [edit]

Syndication and home video

Cheers grew in popularity as it aired on American television and entered into syndication. When the show went off the air in 1993, Cheers was syndicated in 38 countries with 179 American television markets and 83 million viewers.[4] Then, after going off the air,[33] Cheers entered a long, successful, and continuing syndication run[12] on Nick at Nite. While the quality of some earlier footage of Cheers had begun to degrade, it underwent a careful restoration in 2001 due to its continued success.[34] Notably, a Cheers rerun replaced Australia's Naughtiest Home Videos on Australia's Nine Network. The latter was cancelled mid-episode on its only broadcast by Kerry Packer, who pulled the plug after a phone call. Cheers was aired by NCRV in the Netherlands. After the last episode, NCRV simply began re-airing the series, and then again, thus airing the show three times in a row, showing an episode nightly.

[edit]

DVD Releases Season 3 DVD Enlarge Season 3 DVD

Paramount Home Entertainment began to release individual seasons of Cheers on DVD with the first season on May 20, 2003, the seventh season is the most recently released on November 15, 2005, and the eighth season is slated for release on June 13, 2006.[35] DVD Name

Release dates Region 1

Region 2 The Complete 1st Season May 20, 2003 November 24, 2003 The Complete 2nd Season January 6, 2004 June 7, 2004 The Complete 3rd Season May 25, 2004 September 6, 2004 The Complete 4th Season February 1, 2005 July 18, 2005 The Complete 5th Season June 7, 2005 May/June/July 2006 The Complete 6th Season September 13, 2005 N/A The Complete 7th Season November 15, 2005 N/A The Complete 8th Season June 13, 2006 N/A The Complete 9th Season TBA 2006 N/A The Complete 10th Season TBA 2006 N/A The Complete 11th Season TBA 2007 N/A [edit]

Post-Cheers Kirstie Alley in Fat Actress Enlarge Kirstie Alley in Fat Actress

Cheers was a successful enough show to launch the careers of several young actors. Grammer was arguably the most successful with his spin-off Frasier, which lasted for the same eleven-season run Cheers had. By the final season of Frasier, Grammer had become the highest paid actor on television,[36] earning about $1.6 million an episode. Harrelson has also had a successful career following Cheers, including appearances in a number of notable films that have established him as a box-office draw. He also earned an Academy Award nomination in 1997 for The People vs. Larry Flynt. Danson, who had been the highest paid Cheers cast member earning $450,000 an episode in the final season,[37] has starred in the successful sitcom Becker as well as the unsuccessful sitcom "Ink," but has had few starring film roles. Ratzenberger has voice acted in all of Pixar's computer-animated feature films and currently hosts the Travel Channel show Made in America.[38] On Made in America he travels around the U.S. showing the stories of small towns and the goods they produce. Coincidentally, Ted Danson starred in a film also called Made in America. Bebe Neuwirth has gone on to star in numerous Broadway musicals, earning two Tony Awards for her work. She also did voice work for All Dogs Go To Heaven 2 and All Dogs Go To Heaven the TV series. Kirstie Alley starred in the TV series Veronica's Closet as well as numerous miniseries and film roles. Although some believe Shelley Long leaving the show was a bad career move[39], she has gone on to star in several television and film roles, notably The Brady Bunch Movie and its sequel.

In addition to continuing careers after Cheers, some of the cast members have had personal problems. In 2004 Shelley Long grew depressed after divorcing her husband of 23 years and appears to have attempted suicide by overdosing on drugs.[40][41] Her friends report she has continued to sink into depression, eating improperly and sometimes refusing to leave bed. Kirstie Alley gained a significant amount of weight after Cheers, which somewhat affected her career. She went on to write and star in a sitcom partly based on her life and weight gain, Fat Actress.

The Host Marriott Corporation installed 46 bars modeled after Cheers in their hotel and airport lounges.[4] Paramount Pictures licensed the characters and details of the show, allowing the bars to have fake memorabilia such as Sam Malone's supposed jersey while playing for the Red Sox. Among the details Marriott included were two robots, "Bob" and "Hank", one of which was heavy, with the other wearing a Postal uniform.[42]

Ratzenberger and Wendt filed a groundbreaking lawsuit against Paramount in 1993 (around the time that Viacom purchased Paramount), claiming that the company was illegally licensing and earning off their images without their permission.[43] Ratzenberger and Wendt claimed that Paramount could not earn off of their images simply because the robots are dressed like the characters Paramount still holds rights over. The case was dismissed by a Los Angeles Superior Court judge in 1996,[4] though a federal judge reinstated the case in the Los Angeles court. Paramount tried to bring the case before the Supreme Court of the United States, but the court refused to hear the case, instead merely reaffirming the ruling to reinstate the case in the Superior Court.[42] Some believe the case could have had significant implications in Hollywood, as its outcome would have determined whether rights over a character imply rights to reproduce the actor's image with or without his or her permission, so long as the image is of the actor as the character. However, Paramount settled with the two before the suit was ruled on. [44] In addition to the characters, the Cheers opening sequence and theme song has become iconic. Because of this, the sequence is a common target for parody, such as on The Simpsons' episode "Flaming Moe's".

The first year of the show took place entirely within the confines of the bar - the first location outside the bar ever seen was Diane's apartment. When the series became a hit, the characters started venturing further afield, first to other sets and eventually to an occasional exterior location. The exterior location shots of the bar were actually of the Bull & Finch Pub, north of Boston Common, which has become a tourist attraction because of its association with the series and draws in nearly a million visitors annually.[33][4] It has since been renamed Cheers Beacon Hill,[45] though its interior is different from the TV bar. To further capitalize on the show's popularity, another bar, Cheers Faneuil Hall,[46] was built to be a replica of the show's set to provide tourists with a bar whose interior was closer to the one they saw on TV. It is near Faneuil Hall, about a mile from the Bull & Finch Pub. In 1997 Europe's first officially licensed Cheers bar opened in London's Regent's Street W1 [47]. Like Cheers Faneuil Hall, Cheers London is an exact replica of the set. The gala opening was attended by James Burrows and cast members George Wendt and John Ratzenberger [48]. The actual bar set is now on permanent display at the Hollywood Entertainment Museum.[49]